Surinder Kapoor’s Untold Story: From a One-Room Chawl to Bollywood Royalty
The Kapoor surname is now synonymous with Bollywood. Boney Kapoor has produced several notable Hindi films, Anil Kapoor remains one of its biggest stars, and the family’s legacy spans multiple generations. But long before this success, there was a one-room kholi in Mumbai’s Tilak Nagar where the entire Kapoor family lived together. Common toilets, mounting debts, and a producer who never quite found commercial success despite decades in the industry defined those early years.
That producer was Surinder Kapoor. Born in Peshawar, he moved to Mumbai after Partition. In search of work, he reached out to his cousin Prithviraj Kapoor, who invited him to the city. In a 2009 interview with Rediff, Surinder recalled that films were never part of his original plan. But Prithviraj Kapoor changed the course of his life by introducing him to filmmaker K Asif.
“I came to Mumbai in 1950. I was 27 years old then. I am from Peshawar. When I told my cousin Prithviraj Kapoor that I wanted to come to Mumbai for a job, he asked me to come over. When I came to Mumbai, I didn’t think I would join films. But Prithviraj was very nice. As soon as I came to Mumbai by Frontier Mail, he took me to K Asif and got me a job as an assistant director on the sets of Mughal-E-Azam,” Surinder had said.
He later worked as Geeta Bali’s secretary, a relationship that would prove pivotal when he decided to become a producer.
Before finding a home of their own, Surinder Kapoor and his wife lived in Raj Kapoor’s outhouse — the small room above the garage typically occupied by the driver’s family. Later, they moved to Tilak Nagar, where the growing family lived in a one-room chawl. Boney Kapoor has often spoken about those early years. “We began our journey from an almost chawl-like situation. All four of us were born in Tilak Nagar, in one kholi. Every floor had a single one-room-kitchen unit. There were three common toilets,” he recalled.
Surinder Kapoor eventually became a producer, encouraged by Geeta Bali, who helped him secure financiers for his first film, Jab Se Tumhe Dekha (1963). “I could have made my first production, Jab Se Tumhe Dekha (1963), with Madhubala. But I had told Geeta that if I ever make a film, it would be with her only. Geeta helped me get financiers,” Surinder had said. The film failed, and so did several others. “In fact, I could not give a single hit in my entire career but still, financiers and distributors put their money in my projects,” he said. His biggest setback came when the Rajesh Khanna-starrer Shahzaada failed at the box office.
Watching his father’s struggles left a deep impression on Boney Kapoor. In a 2003 interview with The Times of India, he admitted that witnessing Surinder Kapoor’s financial stress initially put him off filmmaking altogether. “I didn’t want to become a filmmaker. Although my father had pinned his hopes on Ek Shriman Ek Shrimati, the film did average business. Then, when the high-budget, Rajesh Khanna-starrer Shahzaada bombed at the box office, my father was tense for days. Around then, I decided to myself that I would have nothing to do with filmmaking.”
The family’s biggest crisis arrived in the mid-1970s. Surinder Kapoor developed heart problems while one of his productions was underway. The film’s director died before completing the shoot. Another filmmaker stepped in to finish it, but when the film was finally released, it failed commercially. “Around 1976, my father took ill. We had a film on the floors, called Phool Khile Hain Gulshan Gulshan. Another calamity occurred. Our director died midway through the shoot… The film was released in 1978 and it flopped,” Boney recalled.
Despite these hardships, Surinder Kapoor continued making films, and his sons would go on to become leading figures in the industry — a testament to perseverance and the enduring spirit of the Kapoor family.
